In contrast to the movies of the early sixties the latter half saw Macabre Mallet undergo a significant transformation, veering away from its reliance on cheap scare tactics and instead delving into the realm of psychological horror. This shift marked a pivotal moment in the history of the studio, as it sought to explore the depths of the human psyche, tapping into the inherent fears that captivated and shocked its audience.

While some argue that Macabre Mallet’s newfound focus on psychological horror was a deliberate exploration of the human condition, using fear as a tool for both introspection and entertainment, others cynically speculated that this change in direction may have been spurred by the absence of their special effects coordinator, who happened to be on holiday at the time. Regardless of the catalyst, the late 1960s Macabre Mallet productions are renowned for their disquieting and eerie quality.

These films of that era stand out not only for their unsettling narratives but also for the powerful and haunting performances delivered by a stellar cast that included Imogen Hartley, Lilith Ashcroft, and Scarlet Kensington. Their compelling portrayals added depth and intensity to the films, making them unforgettable classics in the genre of psychological horror.

When Carol fails to return after agreeing to buy biscuits for the office, her colleagues, led by Lilith Ashcroft, set out to search for her.

Vincent Bannister, playing the grandiose manager, decides to stay behind in case Carol returns, as he may need to make calls to the temp agency.

Scarlet Kensington portrays Carol, receiving praise for her performance as a woman lost in the park with only a packet of bourbons for company.

Quentin Stroud delivers a chilling performance as a peculiar man who appears to follow her around.

Intrigued by the unexplained events in the local park, investigative journalist Doreen, portrayed by the talented Lilith Ashcroft, delves deep into the mystery as swans inexplicably begin bursting into flames.

As this bizarre phenomenon escalates to include human victims, she begins to suspect the presence of a sinister, maniacal killer.

Meanwhile, the enigmatic Park Ranger Bernard Burn-Emall, (portrayed by Quentin Stroud) suggests it might be aliens.

When Audrey’s husband (played by Jack Mehoff) goes missing, she decides to confront his seemingly dodgy employer (Vincent Bannister) about his whereabouts.

However she finds herself trapped in the grounds of his vast estate. Can Audrey (Imogen Hartley) survive the evil that lies within the woods?

Notably this movie features Romilly Moreau in a supporting role as The Maid. Many will know her best for playing Clitty Teller

In his most famous role, Vincent Bannister stars at The Witch Binder, summonsed to a town that suspects an hysterical witch lives among them. He must find her and tie her up until she calms down a bit.

Features this dramatic dialogue

THE WITCH BINDER : You suspect she is a witch, why?

MAN: ‘cos she answered back to me

THE WITCH BINDER : Henrique, fetch my rope it appears we have the most devilish of witches to deal with

When Maureen (portrayed by the talented Imogen Hartley) is invited to be a guest judge for the baking contest in the quaint town of Upper Lowerdown, she certainly didn’t anticipate the sudden emergence of a zombie uprising.

As chaos unfolds, Maureen finds herself teamed up with the exasperated Chef Gerald (portrayed by Quentin Stroud). Together, they must navigate the treacherous terrain filled with the undead. Can they endure the relentless onslaught of the zombie horde, and will they uncover the cause behind this gruesome outbreak?

And was it right for Judith to be marked down for her soggy bottom?

EXIT PURSUED BY THE UNDEAD would prove to be the final starring performance from Imogen Hartley. She would go on to have a successful theatre career, but would make the occasional cameo appearance in later Macabre Mallet movies.

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Now explore the Macabre Mallet movies of 1970 – 1974